As some of you may know, I’m a member (and currently Editor in Chief) of the Erotica Readers and Writers’ Association (ERWA) Storytime list, where people email their work for enjoyment and feedback from others who like a steamy tale. If you’re interested, the subscription link is at the bottom of this interview.
Belinda joined Storytime as a member in April last year, and rapidly proved herself to be an excellent writer, generous provider of critiques, and to have a wicked sense of humour. I think she’d been a member for all of four months when I made the kitten eyes at her and persuaded her to join the Storytime editorial team. So now, when she’s not writing and marketing, and not helping others to improve their craft, she’s keeping a beady eye out for really good stories to put in the ERWA gallery (with the writers’ permission, of course).
So – here’s the low-down on Belinda, who is absolutely one of my favourite contemporary erotica writers.
Now, many a time I’ve heard you describe yourself as a relative ‘noob’ where this writing malarkey is concerned. Do you mean that you’re fairly new to the joy of story-telling, or fairly new to the business of actually selling your stories?
I’m so new, I’m still picking bits of shrink-wrap out of places best not discussed in polite company. If you go to Smashwords, you’ll find my very first erotica, The Headmaster’s Office, published August 1st 2013. I wrote that story in June or July, and it was the first fiction I’ve written since school.
I published on Smashwords and some other free platforms for a couple of years, and then the lovely Phillippa from Uruk Press lured me blinking and stumbling into the glittering world of paid erotica.
You mean folks pay to read about people fucking?
Who knew? I wrote a short ancient world piece inspired by movies like Troy, and Uruk released it in Sex & Sorcery Vol 1 in August 2015.
So there you have it. Nearly four years writing fiction. Almost two selling them. Me = N00b.
Do you keep the majority of your stories based in Australia, or make the settings relatively generic?
I mix it up. Some stories have a distinctly Australian flavour, with recognisable places and landmarks that are deeply woven into the story. My favourite would be Goodbye, Miss Granger, which featured a day-trip to Manly on the iconic Manly ferry.
Most of the others are generic locations that could be anywhere, and most of my action happens indoors, so that helps. Broken Vows is a good example. I think the only thing that puts it in Sydney is a mention of how the buses work.
I don’t deliberately aim to set them all here. I’m really just lazy, and it’s hard to write convincing locations I’m not familiar with.
I know the feeling. London and West Sussex make startlingly frequent appearances in my stories…
One of the stand-out features of your latest book, Broken Vows, is the ab-crunching humour weaved throughout. It’s not often that I get to spend half my reading time giggling, and the other half fanning myself. Without thinking about it too long – can you name your top seven favourite comic influences?
Seven? Lordy, I don’t think I have that many. I do love comedy, though. Let me give you a sampler, and skip to the next question when you get bored.
For TV: I enjoy the irony woven into The Simpsons. I love that it’s something you can watch and re-watch throughout your childhood and get something new from it each time. “I WILL NOT WASTE CHALK” x100. Gold, I tell you!
For audio: As a card-carrying geek, I’m privileged to enjoy the comic genius of Monty Python, which I’ll happily recite verbatim with any other Python geek passing nearby. “HE’S NOT THE MESSIAH. HE’S A VERY NAUGHTY BOY!”
I’ll bite: “Nobody is to stone anybody until I blow this whistle!” [I’ve used this as chairwoman in hostile meetings before. It’s quite an effective ice-breaker…]
For prose: Anything Douglas Adams, may he rest in peace. Hitchhikers Guide to the Galaxy for sheer frippery– “Joo Janta 2000 Super Chromatic Peril Sensitive Sunglasses … follow the principle ‘What you don’t know can’t hurt you’ and turn completely dark and opaque at the first sign of danger” –but for pure comic writing genius, I love Dirk Gently’s Holistic Detective Agency. It was this book that first piqued my interest in writing fiction, trying to imagine how an author can weave all those stray threads into a cohesive whole that ties up in a neat bow at the end. I still don’t know how he did it.
I’ll look out for that. I see that a series has appeared on Netflix, too!
For film: The Castle, and indeed anything by the gang from Working Dog. They’re the very definition of Aussie humour. “Jousting sticks? How much does he want for them? // $450 // $450? Tell ‘im he’s dreaming.”
Which of your stories seemed to write itself most rapidly?
Oh, definitely the first one, The Headmaster’s Office. 10K words, and it just fell out of me in about three writing sessions. Everything since has felt like a 3-day labour, although each one has its little sprints in the middle.
Do you have a special writing ‘place’ or do you put your muse into a headlock wherever you happen to be?
I write mainly at lunchtime (such as right now!), so I do a lot of work in the type of cafes that don’t mind you sitting around for an hour without ordering much.
It’s hard to write a whole story in one-hour snatches though, so I generally fit in the occasional longer session on the weekend. Especially useful to bash through a tough scene.
I use an ultrabook laptop and can write just about anywhere. My only real requirement is relative screen-privacy. I get embarrassed by the idea of someone looking over my shoulder and reading the smut that pours from my fingertips.
How do you handle writer’s block? Or are you one of those peculiar souls who just don’t seem to get afflicted by it?
I guess I’m one of the lucky ones. Not having my livelihood depend on writing probably plays a big part. I do love to sell a story, but I’m not (yet) so serious about it that I let it drive my writing. I think that helps. It means I can write the stories that interest me. Sadly, it does limit my audience when nobody else is turned on by semi-reformed stoners and naïve nuns.
I wouldn’t say that – your semi-reformed stoner is hugely endearing 😉 But, conversely, how do you cope with a glut of ideas? Do you round up those plot bunnies and play with them one at a time (like a strict, self-disciplined soul) or do you flit between projects as the mood takes you?
It was awful until I created my Ideas Folder, which is just a Word document full of story ideas. I used to let one new idea interrupt another. While I was writing Goodbye, Miss Granger, I knocked out two more short stories in the process. It was the same for the other long stories I wrote in those first two years.
Now, when my muse insists, I just take a few hours off and add a plot summary to the ideas folder. That usually cools her jets and lets me get on with finishing a project.
Legend says that you have a talent for buying entirely the wrong shoes. I don’t know if you’ve ever come across the word, but ‘griving’ is a motional verb, describing the movement of someone walking in brand new shoes. It combines grimacing and jiving. How much of your life do you reckon you spend griving?
Not enough!!! Mangled, mis-shapen feet are a badge of honour—a sign of ultimate opulence. A woman who can both afford and tolerate that kind of permanent pain is not to be trifled with. Those bulging bunions and twisted toes are like tigers’ piss for marking your territory. See these feet? I’m the alpha-bitch around here, Toots, and don’t you forget it. <hobbles back to her lair>
That’s me told! I’m a wimp – I live in trainers, you see. Which of the following super-powers would you want
Spontaneous, superbly effective marketing?
Well clearly, spontaneous and superbly effective marketing. Marketing is a constant drain on my writing, but the only thing worse for a writer is obscurity. Every story that bombs is a little piece of my heart, so I do what I can to send them into the world with the best chance of survival.
Telekinesis? To move heavy stuff? Isn’t that what a man is for? And flight? If it comes with weightlessness, then maybe. But have you seen those birds with shitty wing-to-body-weight ratios like pelicans and puffins? Screw that. I’ll walk.
Realistically though. I’d take invisibility. For obvious reasons and comic consequences.
Finally, tell us about Broken Vows in your own words, and hit us with the buy links😊
Well Sam, I’m glad you asked, but I can do better than that. I’ve got a free audiobook chapter, exclusive to your readers (haven’t even released this to my own mailing list yet). Read on.
The original title was Sisters of Grace Sperm Bank, which give you the title and synopsis in one neat package.
I don’t quite remember how the idea came about. I’ve rounded up a few plot bunnies from the Literotica Story Ideas board, but I don’t think this was one of them. To the best of my knowledge, the idea just presented to me: what if a sperm bank offered “full service” collection? The obvious question, though—why? Possibly as a sneaky work-around for prostitution laws? Or … OR! What if, right? What if it’s the nuns trying to get men to stop masturbating, because it’s a sin?
The rest writes itself, pretty much.
Mother Mary Benedicta was maybe the most fun I’ve had with a character. (Yer not a Presbyterian, are ye? Not that there’s anything wrong with that.) I do love a good comic-relief bit-part.
So we have a wanker, a pretty nun, and a bit of awkward fun that goes further than either of them imagined. No problem so far. The only bit I struggled with was tying up the story with a satisfying resolution. Sending a guy to a nun-run sperm bank has a pretty obvious outcome, so I needed something to step it up from the levels of stroke-book to a hopefully fulfilling story-line. God came to the rescue—almost literally. I do hope readers enjoy the result.
Broken Vows. It’s out now on Amazon for just $2.99 // £1.99 // $0 Kindle Unlimited. Try before you buy? Listen in to the Free Audiobook Chapter on my web site, courtesy of my treacle-lipped narrator, Nikki. Tip: You might want to use headphones … and for the gentlemen, tissues.
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Belinda LaPage lives and works in Sydney, Australia. She loves scorching erotica about adventurous, curious women in new situations. Her first time (and his first time!) are favourites, but exciting new experiences like F/F discovery and beginners light bondage are a big turn on. In Belinda’s world, safety is never an issue; most of all she loves her heroine’s first experience of the explosive heat that floods her core when he finishes inside. Find her on the Web, Twitter, or grab a hot, sexy read on Amazon.
Even if I don’t hear very much of it, I like putting music on in the car. It takes my mind off the sheer vertigo-induced terror at having to do corners at more than twenty miles an hour. Because my son gets a bit fed up with my ancient CD selections, he’ll move fast to switch the media player to radio. At least with the radio, he thinks, there’s little chance of me recognising the song and drowning it out by talking about it.
This morning’s musical joy was a blast of Bond just as I was pulling off the terrifying roundabout by our estate. The orchestral stirrings of the Spectre theme (Writing’s on the wall by Sam Smith) filled the car. I remember the words, rhythm and pace of that song quite well. My higher-pitch hearing was a lot better last year, enabling me to enjoy even the helium-laden chorus.
When a song is particularly anthemic, I find it quite hard not to join in. Seb knows this. Still, I limited my audience participation to mouthing along. Enthusiastically, yes, and I’m sure that passing motorists suspected me of shouting at my passenger, but I was definitely mouthing. I might not always know when I’ve gone into Lady Loudsounds mode, but I do know when I’m not making any noise at all.
Yet, despite my sweet-natured, silent compliance, I could feel the glances of trepidation and suspicion coming from Seb’s side of the car as the song worked towards the rather operatic bridge. I refrained from roaring ‘will you break my fall’, and I wasn’t even going to try to squeak ‘how do I live? How do I breathe…(etc)’, but clearly Seb saw my air intake as a warning sign and bellowed “DON’T!!” at me sharply enough for me to jump and over-correct my steering.
Once at the traffic lights, I was able to take my eyes off the road so that we could argue. I fumed at him for startling the pants off me. He bickered at me for darkening his day by singing.
“I didn’t sing.”
“You very nearly did,” he protested. “I could see you brimming.”
“Yeah, you get this really earnest look just before you shout right off-pitch. If you weren’t driving you’d be flinging your arms out right now, and making horrid noises. It’s so embarrassing!”
“It’s not my fault I can’t sing in pitch!”
He laid a soothing hand on my elbow, his face all apology. “I know, mummy. It’s a stinky deaf-thing and I know you want to be able to sing.”
“Hmph.” Still stung but slightly mollified, I pulled up outside the school gates, popped the handbrake on and leant over for a kiss before he got out.** I grinned at him, trying to regain the amicable tone of our communications before he left for the day. “You really hate my singing, then?”
“Ah… um… don’t back me into a corner, mum.” He kissed me and legged it for the safety of school.
That’s a “yes,” if I ever heard one! I was too deflated on the way back home even to howl along to Total Eclipse of the Heart. His harsh views hardly came as a shock—I sing alone for a reason—but it wasn’t fun to be reminded of my total inability to keep tune.
Once home and full of coffee, something struck me. My son has handed me a GIFT. There’s this old saying that when life hands you lemons, you should slice them into your gin. I can weaponise my singing! If he perpetually refuses to take his plate into the kitchen, or to do his homework, with just a few prods on my iPhone, I can bring Sam Smith forth on iTunes and inhale meaningfully. If he won’t come in from the playground, I can take my Bluetooth speaker out there, and fill the air with the terrifying first chords of Nessun Dorma. I can treat him to La Boheme if he won’t get out of the bath.
I feel hopeful and refreshed, like I’ve been given a brand new toy full of crispy-cold Prosecco. Let the games begin.
That said, let’s hope he doesn’t push me to ‘Wuthering Heights’. I’m not sure the world’s ready for that.
** his school has a drive-by system of flinging the kids out in the morning, which is rather convenient. Parents drive in one direction around the neighbouring residential streets, and stop only briefly to allow our kids to disembark in the presence of a teacher.
A few weeks ago, I started seeing dreadful news coming out of Chechnya about gay men—and men suspected of being gay—being rounded up and taken to camps, out of the general populace. That, I felt was shocking enough. And then we start hearing that these men, dragged from their homes and their lives, are being beaten and tortured with electricity. I was horrified; how could humanity possibly wind back seventy years? At the last, most reliable count (discussed in Parliament on 20th April), there had been at least 100 men wounded within this regime, and at least four killed as ‘state-sanctioned’ deaths.
As May rolled in, the situation became bleaker still. There are now reports are of families being pressured to hand their own sons, brothers and cousins over to the authorities under threat of punishment if they continue to shield them. A third, apparently acceptable option, is honour-killing.
The situation is anachronistic and sickening.
The better news is that the Russian LGBT network has been working to evacuate people from the country, and they’ve been effective in doing so; at last count, 40 men have been removed from danger. But there’s a limit to what the Russian LGBT network can achieve without help.
I found myself feeling rather useless in this situation beyond sharing appeal notices on Facebook. Others have not been sitting around, wringing their hands, however. And thank goodness for that! Writers Olivia Helling and Dale Cameron Lowry have been vigorously active in finding ways of helping people to contribute to the Russian LGBT network. They’ve made a direct donations line accessible. Olivia set up an online auction, which Dale has been slaving over to make the admin as easy as possible for people. I’m full of admiration for their commitment and compassion, so that’s why today’s blog is about how to help this cause.
If you’re an author or artist who would like help out, please sign up at Authors & Publishers for LGBT Chechens. There, you can also find answers to frequently asked questions about royalty donations, the charitable organizations that are helping LGBT Chechens, and more.
If you want to donate directly (or sign a petition/make your voice heard)
This page on Dale’s site has the best collection of support resources, all in one place:
In between updates on my writing and little articles about life’s daily challenges, I’ll be hosting wee interviews with some of my fellow authors.
Now, just to be upfront about this, a very large proportion of these authors write adult fiction. And by ‘adult’ I do indeed mean that this is the kind of fiction you read alone, with the bedroom door locked. While the interviews are PG-rated, it’s all 18+ once you’ve hit the ‘buy’ links at the bottom of this article.
If erotica’s not your thing, then don’t click the links.
Now, with that said… please welcome Meg Amor!
Your environmental descriptions are just gorgeous and totally soul-consuming. If I spend a fortune I don’t have to buy a holiday in Hawaii, it’ll be all your fault. Since Hawaiian Lei, I’ve had a craving to visit. Would you mind sharing a little about your personal connection to Hawaii?
Aloha!! And thank you, mahalo, for having me and loving my descriptions. I love the Hawaiian Islands, they’ve become part of who I am as a person. Sorry, about the holiday!! LOL. But you’ll love it when you get there. I promise. And I know all the best places to go. Never mind a guidebook, just take my Hawaiians series on your Kindle. 😊
An excellent plan. I don’t like guidebooks, anyway. They’re always written by disappointed people, as shown through the selection of ‘vital language’ in the phrasebook section: “My wallet has been stolen.” “There are many dogs, and they are all smelly.” “Where’s the US Embassy?” etc. Kindle it is.
I love showcasing the islands in my books. I’ve been in love with the Hawaiian Islands since I was nine-years-old. Mum went on a world trip with her dad and bought me all these fabulous dollies from around the world back. But the one I treasured the most was a wee plastic hula dolly, with her jet-black, long hair, her ‘grass’ skirt and flower lei. The islands captured my imagination. And, being a Kiwi, I’m always essentially an islander.
I grew up in the cold South Island of New Zealand. The South Seas have always held my imagination and I’m sure we’ve got some pirate in there too actually. The aloha spirit is largely who I am as a person, so Hawai’i and the tropics call to my soul. It’s my American home state. The first place I landed in the US was Hawai’i, in O’ahu. Then we flew out to the Big Island for a holiday. I returned there to live and got my citizenship over in the courthouse at Hilo.
I’m so jealous. Jealous, jealous jealous…
I’m temporarily living on the Mainland in the States at the moment, and being too far from the water makes me feel antsy and claustrophobic.
Okay, now I’m slightly less jealous. I know what it is to be homesick!
When I’m home on the Big Island, I live in Kona and it’s the place I’m most at home in the world. My soul is fed. I’m the healthiest I’ve ever been in my life. I fit there. I belong.
I still have my Kiwi accent and it’s fairly strong but when I’m home in Hawai’i, people assume I’m a local. It’s fascinating to me. But I’m very accepted there. It’s home.
And that totally comes through in the writing. But it’s not just the topography that gets me about your series. I can’t get through three chapters without wanting to stuff my face with food. Are you part of a cunning, secret conspiracy to make readers feel snackish?
Yes, and to send me threatening letters from their Weight Watchers class! LOL.
I’m convinced it’s a Kiwi thing. Jacqui Greaves has that effect on me, too…
Actually, I love good food. One of my great pleasures in life is dining out. Part of my travels are always about the food. They’re part of my memories. I still salivate over a mushroom soup I had nearly 35 years ago in Singapore. It was out of this world.
My mum was like that too. She went to Europe in 1972 when I was 9 and came back with amazing stories of Europe. We come from a family of Irish senachies (storytellers) and she’d tell us about amazing food she’d eaten. And decided that we kids would learn to eat at restaurants and know how to behave like the European children did.
Depends on which bit of Europe you’re talking about 😃 Some parts are more refined than others.
So we started going out once a week. Now back in NZ in the day, this was a rare thing. Children did not go to restaurants much with their parents in general. It was for adults, so this was the height of sophistication as far as I was concerned. And I loved it. It became one of my great loves.
I’ll happily eat at a restaurant by myself. But god help you if you take away my plate when there is still sauce on it. I might just stab you with a fork (until I’ve licked the plate clean) then you can take it away.
I approve. I always have my waiter-repelling fork at the ready
France for me is one of the most divine places in the world because of the beautiful alcohol, butter, and cream sauces. And I do have French heritage on my mum’s side as well, so it isn’t too surprising, but to me, sitting down at a table and eating, drinking, and talking for hours is one of life’s greatest pleasures. 😊
I love to try food from books I’ve read. And I’ve had readers who tell me they tried things because they read about them in one of my books. I think that’s terrific.
Do you have a favourite TV chef?
I have a few actually. 😊 These are such interesting questions! Thank you. I love to cook Gordon Ramsey’s food and think he’s an interesting man. I enjoyed his make-over kitchen programs. He can be very sweet with people and very straight up and I like that. I don’t watch his own cooking shows though. He drives me nuts. LOL.
LOVE Nigella Lawson. She’s darling, sexy, very interesting, and can cook yummy food.
Of the American chefs, I love Bobby Flay, his recipes and cooking style. His taste buds and mine match.
And I’m a huge fan of Master Chef, the British version. 😊 I love most cooking programs actually.
Your book boys seem to have unfailing powers for successful outdoor cooking. Have you ever had a profoundly unsuccessful luau (barbecue?) what went wrong?
LOL. Yes, I have been to one but never made one myself. In New Zealand, we do something similar to a luau called a hangi, a native New Zealand Maori do. And I once went to one out in the wop-wops, and the local cow cockies thought he’d put down a hangi. Well. Yeah… ish!
It wasn’t quite hot enough. You have to let the stones heat for hours. I actually write about one in Hawaiian Ginger. And then make sure you let the food cook long enough. So, it takes all day basically. The guy who put it down took a few short-cuts on the time and it was… Ugh… I shudder just thinking about it. It was greasy, ashy, and tasted disgusting!!
A good hangi is really yummy. Smoky, melt in your mouth meat, root vegetables. Lovely. But to be perfectly Francis with you, I’ve never had a decent one that wasn’t put down by a Maori.
When I was a wee kid, we lived on a Maori Pa and boy, did we have GOOD hangi’s there. It was an all-day event, and they’d be Maori songs and dances. And I got to dance in one with my wee flax headband around my then super blond hair and pale, white skin among the gorgeous brown-skinned Maori kids, making an awful hash of the swinging pois. The ‘uncles’ made me an incredibly cool beer tab belt for my dress.
I would love to see that!
I think that’s partly why I’ve always felt very at home among Polynesian cultures. I’m drawn to the community and easy-going nature of Polynesian life.
This leads me rather conveniently to one of the chief pleasures of reading your books: your very sexy cast of some very laid-back men, like Beau and Rob. And the slightly less chilled fellas. Mattie, for example, has had my ovaries exploding from the first in the series, and in the third instalment, Danny’s passion has made my eyes water. When did Danny first come to life in your imagination?
LOL. Ohhh, thank you. 😊 I love my characters. They all capture me on different levels. Danny is one of the “lost boys” who were introduced in Hawaiian Orchid that Kulani hanais—which means informal adoption in Hawaiian culture. They were all kicked out of home for being gay and Kulani slowly took them in and gave them a place to belong.
Danny just popped up as my characters often do. And he had such a strong personality right from the start. I probably know Danny the best out of all the boys. He was so vulnerable, angry, and hurt, but he’s also intelligent. I knew Danny emotionally. And he does grow and heal through things that happen. My muse for him was the very beautiful, inside and out, French/Vietnamese/Senegalese model Willy Cartier.
Watching Danny grow and become a young adult man has been amazing. He’s come from this pain in the arse, aggressive kid to a really nice, strong but vulnerable and emotionally more mature, whole man.
I’ve so enjoyed watching the growing bromance between Danny and his ohana brother Zane, particularly as they initially irritated the living daylights out of each other. Did you have it in your mind from the early stages that they would become close, or did their growing closeness take even you by surprise?
No. It took me completely by surprise. I never thought in a million years these two would become attracted to each other. I initially resisted this turn of events but you have to go with what your characters want. There comes a point in any book where you’re not really writing it anymore. The characters are just telling you their story. Your job is to get it down. So it was fascinating to me to watch Danny fight with his attraction to Zane. Because God knows, he and Zane used to butt heads all the time. They were shocking.
And they seem really different. But underneath, they’re emotionally very similar and that’s where we really connect to people at the heart of a good relationship. When you emotionally get someone and they get you—that’s golden. And rare.
What or who were your inspirations as Zane came to life? It’s so nice to see a profoundly deaf character taking on a significant role where deafness is just one aspect of their being, and not the centre of a plot construction showing how or why people become deaf!
Actually, you were, Sam! Seriously. You helped me enormously with getting Zane right. And any boo-boos I’ve made are my own.
Gone all pink and blushy!
Also, when I first started writing it, they had a deaf model on Dancing with the Stars who was trying to win the dance competition.
Oh! Nyle DiMarco? Yes, familiar with him. A good role model and hot as heck.
And I thought, how amazing, I’m just writing about a deaf dancer. And he was fascinating. People amaze me with what they can do.
Agreed. And I think it was a good move for them to silence the music for a few bars in one of his performances to show what he could hear of the score – nothing!
It’s not the first time I’ve written a deaf character but the first time I’ve had them as a central character. Throughout my life, I’ve had a number of friends who had various abilities that were limited in some way. And I’ve always admired them enormously for their courage, the way they did things despite obstacles at times. I found this incredibly inspirational.
I had a friend Janet in Australia who was severely deaf and had never had hearing aids. Nothing stopped her. It would take me about half an hour to get used to her speech pattern, then we were away talking up a storm. Our mutual friend Mikey (Michele Michael Rakes) is also hearing impaired. And another friend of ours is badly dyslexic and nearly gave up being a writer because of it. And people were so rude to her about the dyslexia. It made my blood boil. I thought, “screw you people. I will edit for you. You will become the writer you want to be.” She just sold over a thousand books in the last month under one of her pen names. I’m so proud of her for not giving up. As she says, “I write in Russian. I just can’t read it.” But she kept going, despite the hard time people gave her.
Good to hear it!
I went to an alternative high school and there were a few kids who were dyslexic. I got to see first-hand how things worked for them and their frustrations at times. I also had a friend who couldn’t read and write. He’d slipped through the system somewhere. But he had the most incredibly intelligent strategies for doing things: he’d shop by colors on boxes, pictures, size of letters, length of words for food products. He’d get stuffed up if they changed a box design. But he had this unbelievable amount of things memorized. And he was shopping for a stereo once and I asked him how he decided. He basically took a picture in his mind of the unit he’d been looking at, then copied the price numbers onto some paper. This is how he knew which one was which. I now suspect he was also dyslexic in some way. But it was incredibly frustrating for him at times and I felt for him enormously. I also admired him so much.
I was an odd kid growing up and I suspect that other people’s differences made me feel slightly less odd. Perhaps too, because my parents brought me up to see differences are something special in people. I spent six weeks in a burns unit as an eleven-month-old. I was walking at eleven months and poured boiling hot black coffee down my arm.
Ow. Ow ow ow. OWWWWW
Mum got me under cold water which saved my arm probably but I always had a big scar on it. But my parents were wonderful. I grew up thinking that was pretty cool and I was a bit special because I had this scar. LOL. So I think I always saw things that other people had that might have set them apart as slightly on the extremely cool side too. 😊
I imagine it’s an extremely impressive war wound! That’s one way to look at things, I suppose!
I also had a couple of friends who were thalidomide babies and were missing parts of limbs. One painted and wrote with her feet. How incredible! People inspire me that you might think are impaired in some way but they achieve fantastic things.
I see people’s prejudices I suppose on so many levels, about so many things, and there’s always a part of me that wants to show the world that underneath it all—we’re all just humans, needing love, attention, friendship, understanding, support, and to be treated with respect.
Right, we can’t say too much about your books because there’s serious danger of one of us inadvertently leaking spoilers, given the number of twists and turns. I’m not one for spoilers – even my Amazon reviews are mysterious. So, a writerly question: what are your top five tips for getting around the dreaded writer’s block?
Right. Just putting on my asbestos suit and locking myself in the Anderson shelter before I answer this one.
I don’t get writer’s block. Or very rarely.
What!? Begone, you prolific pariah, you! Actually, don’t go — Explain!
If I do, it’s because I’m trying to get my characters to do something they don’t want to do. And they just dig their toes in. I tried to make Kulani and Rob have a lovely romantic luxury weekend at Huka Lodge near Taupo in New Zealand in Hawaiian Orchid, and it was a bitch of a thing to write. It just would not roll. It sounded weird, boring, dull, stilted etc.
I sat back and thought, what is going on with this scene? I thought, they just want to go home to Hawai’i. But, but… I protested. I’m trying to give you this fabulous weekend, you wee ungrateful sods. I’d KILL to stay at Huka Lodge. Come on guys! It’s gorgeous. The food is out of this world.
I finally gave up, put them on the next plane to Hawai’i, and found them superb accommodation on O’ahu’s North Shore instead. LOL. And then the story just flowed. So…
Listen to your characters. You might want to give them something special but if they just want bacon and eggs instead of a five-star dining experience—let them.
I don’t write from start to finish. I write as the ‘hot’ scenes come up. And I don’t mean the sexual ones. The hot scenes are ones that are running hot in my head. And I literally am just taking dictation from my characters, typing like mad to get them down. If I get stuck on a scene, I just move on to another one. Cut and paste is my friend. I also don’t start at the start of the scene. I start from where it’s running fast and hot and get it down. Then go back and ‘fill’ in the lead up and wind down bits.
I often write more than one book at once, so if one isn’t flowing or inspiration has gone to the Bahamas (my muses are on first name basis with EVERYONE in the whole of the Bahamas), then I can just switch to another story.
I don’t write in a set time frame. i.e. From 8pm at night to 2am. I write when it comes to me. I get my best work this way and I don’t get blocked and waste time. I don’t write every day either. I write when I’m running ‘hot’ and then the words just fly onto the screen. Saves a lot of time and rewrites.
And then if all else fails, I edit. Eventually, I’ll feel ‘pushed’ by the muses to write something or while I’m editing my work, something will pop in and off I’ll go again. I also edit for other people. It all helps to keep me unblocked and rolling.
That’s good advice. I do sometimes feel hammered by people who say ‘write at the same time every day, so your muse knows when to show up’. Well, they’ve not met my muse, who has a serious punctuality problem.
Right, about you – I sense your love for animals. I’m betting you have fur-kids…
LOL. I do. I have a 21-year-old ginger and white, short haired tabby called Mr. Leo Ray Jr. He’s an American and has travelled all over the world with me. Leo is fighting fit for his age—literally. Even now, every couple of weeks, he still boxes Bob (one of the yard cats) round the ears, and anyone else silly enough to get in the way. And he usually wins. He’s on thyroid meds and he could do with a pair of glasses but otherwise, he’s going well.
I also had another huge ginger and white boy called Mr. Beaumont who is memorialized in Hawaiian Ginger and yes, he really did do all those things.
Having been lucky enough to see early drafts of Hawaiian Ginger, I can testify to ‘Beau’ being an utter pest, lol. Gave me the giggles!
He was a complete terror but I loved him. He was my lumberjack cat, whereas my Leo is my scholarly gentleman puss, who thinks when I call him a cat, I’m being funny. Not that he has a sense of humor. It’s decidedly lacking! He’s my gourmet puss and has a great love of Thai food or anything Asian. Beau-Beau had American taste buds but did like Mexican food.
I grew up with a lot of animals. We had a real menagerie: rabbits, guinea pigs, black and white cats all called Puss-in-Boots when I was younger, Siamese when I was older, and one magpie who was brutal to dad but would let me feed him thing with my bare hands. Also, we often had a boxer dog which are completely mad but a lot of fun.
But I love my cats, they’re my kids. I can’t abide men who don’t like cats. So if you don’t hit it off with Leo, there’s the door. Au revoir.
A reasonable philosophy! So -cats have the power of nine lives, they say. If you could have super power, what would it be?
Teleporting, so I could travel all over the place whenever I wanted. Although, I’d miss the airline meals. Seriously, I do enjoy those. All these little individual servings of things. You get a bit of everything. That’s why when I go to a restaurant, I usually order all appetizers, so I get a taste of several things.
Lol yeah, it’s like a secret, guilty pleasure, isn’t it?
And if I could teleport, then I could pop into France for decent crispy croissants and baguettes. Or a good tarte fraise. Or have a lovely potato and bacon soup in Ireland. Or I could pop in and see you, and have a full English breakfast in England. I could nip down to NZ and see my family and best friend down there. When I got a craving for fish and chips cooked in pure fat, I’d just whizz into Christchurch where I’m from. Imagine how convenient this would be!!
It’s a good power to have. I know many a parent with children at different schools who could do with that particular ability during the school run… and finally, I want the recipe for mac salad, please. I’ve seen it mentioned in many a place and I’m aching to try it, even if I can’t go to Hawaii.
And see, even here. This teleporting would be so handy. I could pop in to Matsu’s on the highway on the BI (Big Island) and grab you some mac salad, then nip over to you in England, drop it off. Stay for a cuppa or a glass of wine or three, and be home in time to give Leo his thyroid meds and be in my own bed at night. Failing that, I’ll just give you a recipe for now. 😊
Everyone has their own version they swear by, but this is close to the stuff I get at home. Although I also like to add tuna and cooked peas to mine and no onion. It’s very creamy, don’t skimp on the mayo. 😊 Yummm.
1 (1 lb.) box macaroni
2 Tbsp. apple cider vinegar
2 carrots, shredded
1/4 c. onion, shredded (optional)
2 1/2 c. Best Foods (or Hellman’s) mayonnaise… no substitutes!
1/4 c. milk
2 tsp. sugar
kosher salt & pepper, to taste
Add tuna and/or peas if desired.
Cook macaroni according to package directions. Drain well and place macaroni in a large bowl.
While macaroni is still hot, sprinkle on vinegar and add carrot and onion. Toss together until well combined. Allow to cool for about 10-15 minutes.
In a separate, smaller bowl, whisk together mayo, milk, and sugar.
Fold mayo mixture into the macaroni until all the noodles are evenly coated. Add salt and pepper to taste.
Cover and refrigerate at least 4 hours (best if overnight). Gently stir before serving (adding a little more milk if needed, no more than a Tbsp. or two).
Then…and this is the important bit. Try not to eat it all in one sitting. LOL.
I think that would last me about six weeks, lol!! But thank you. And I will try that out this weekend!
Thanks very much for being my guest! Now… about those lovely books:
Danny’s a fourth-generation Big Islander, from the wealthy Lucerno ranching family. He’s gorgeous—a mix of Portuguese male and Argentine passion, all dark haired, smoldering sensuality. His family disowned him for being gay, now he’s part of the Masterson-Mahikoa “lost boys” family.
When he meets the wealthy, sophisticated, sensuous Brazilian, Paolo Bastini, he’s swept off his feet into a glitzy Las Vegas lifestyle of money, and luxury—the world he grew up in. But it takes Danny away from Hawai’i where his soul roams free and his family live. He struggles as Paolo plays loosely with their partnership and thinks Danny is being “a baby” for wanting a monogamous relationship. And who is this past lover firmly wedged in Paolo’s heart?
Zane is severely deaf—finding new dance partners is hard. When he loses another one, Danny steps in to dance the tango competitions with him. Jealousy flares and things reach dangerous levels between Paolo and Danny. His adopted and birth family must bond together in a daring rescue of Danny from the depths of Brazil.
But he’s not completely out of danger. Now he’s fighting an attraction to the feminine Zane who’s always annoyed him. Which man has his heart?
(Best Contemporary Gay Romance ~ Rainbow Awards 2016 ~ Runner-up), second in series
Kulani Mahikoa is “The Orchid,” a young, insecure, pro surfer from a rough background on the Big Island of Hawai’i. He’s Beau Toyama’s cousin from Hawaiian Lei and a healer with a heart as deep as the ocean he’s part of. Like many of the great Hawaiians, Kulani epitomizes the spirit of aloha and love. Kulani’s healing his own wounds, and “The Lost Boys”, the young, homeless abandoned and abused gay boys he cares for.
He meets the lone and lonely New Zealand widower, Rob Masterson–a wounded psychologist who’s trying to come to terms with his husband’s death. When he died, they were separated but still living together. Rob needs to reconcile all the pieces of guilt and love to heal before he can fall in love again.
The age difference raises one barrier, and besides that, Kulani has more layers than Rob–with his own New Zealand heritage and tangled knot of emotion–ever bargained for. Traveling between the South Sea Islands of beautiful New Zealand and the exotic Hawaiian Islands, they forge a bond–two wounded men find a home for their shrapnel-laced souls.
Beau Toyama, a “mixed plate” Hawaiian/Japanese/Tahitian man, is a flight instructor on the Big Island of Hawai’i. He’s a lovely, gentle, shy soul from a dysfunctional island. One day his wife Mikey said, “I love you, babe, but this isn’t working. I need a good man…” She’d paused. “And so do you.”
Matt Quintal, a New Zealand painter with a Norfolk Island and Maori background, has been living the “gay scene” in LA and knows it’s a crock. Needing to escape, his Polynesian soul is drawn back to the Pacific. He visits his sister Rach in Kona on the Big Island, where his spirit connects.
When Matt’s heart is drawn to the sound of a biplane’s radial engines flying overhead, his life is about to change. There’s an instant soul connection and heat between Beau and Matt. Unbeknownst to them, the spirit of Beau’s mom, Tehani, has guided Matt home to Beau.
Beau and Matt need to work together to overcome family dysfunction and abuse. Can they reveal their deep emotional vulnerabilities to find redemption and healing? What they both want is a loving relationship. But they must allow their hearts and souls to open before they can love and trust again.
A few weeks back, I saw the most helpful meaningful meme I’ve seen in a very long time. I forget the exact phraseology, but the gist was:
No one in the history of being calm has ever calmed down as a result of being told to calm down.
This is something my husband has yet to grasp, even after nearly fifteen years together. When I’m running clockwise round the house in a lather because I can’t find my hearing aid /car keys / house keys / wallet, the last thing I need is for him to follow from room to room, expounding the importance and benefits of centring myself. You see, I don’t lose my cool easily. What my mindful other half doesn’t quite realise is that I’ve only reached the flame-faced, barking, foaming-at-mouth stage when:
I’ve checked all the logical places
I need to be out of the house in five minutes
and I still have 50 illogical places left to check
What I need my husband to do is rise to the occasion by running around the house in a counter-clockwise lather, sharing the search through the illogical places for my mislaid vitals. Or, if he doesn’t fancy lathering on my behalf, he could simply say something like, “how dare the keys teleport themselves onto the roof! Don’t worry, love. I’ll get the buggers down for you.” That works. Call me a snowflake, but I find that a moment’s empathy goes a long way. I then take a breath, remind myself that the keys were unlikely to have left the house by themselves, given that I’d locked us in just the night before, and then they turn up quite quickly.
Don’t get me wrong. I like my hubby being calm. It’s an attractive part of his personality (except when I’m not calm). In fairness, as a pilot, being calm is critical to his job (along with exemplary hand-eye coordination, a quick mind, and an ability to fake an expression of delight at the appearance of horrid food). He also has a natural advantage, being Dutch. Dutch Vader wouldn’t have blown up Alderaan; he’d have been hanging out in the cargo bay of the Death Star, muttering “Schtop rebelling for five minutes! I’m trying to have a schmoke.”
So Hubby is Dutch, pilotish and mindful. It’s just my little cross to bear.
I won’t knock those who find mindfulness life-saving, reassuring and helpful, but my personal experience of learning the basic tenets wasn’t a huge success. I really got the hang of squeezing my upsetting, troubling thoughts into a little room in my mind and shutting the door. I may have inadvertently added a few unnecessary locks to that door: I went to bed early; I neglected the dishwasher in favour of slow breathing; I forgot to insure my car (not for long, thank god), and I neglected to put filling in my son’s lunchbox sandwiches. But that’s part of my problem with grand philosophical problems—I find a single solution and take it all rather literally.
In other ways, I need to be less calm. I procrastinate like a true professional, and a little more regimented structure in my life would probably do me good. It’s good for the soul to be reasonably chilled about wearing size 16-18 jeans (UK size), but it would do me better to get out there and burn some of the excess weight off. Similarly, I’ve found that if I don’t have a deadline, I don’t do things. It’s probably time to pull my socks up, find my publisher’s release date calendar, and fill in a slot for ‘A brotherhood of bouncers’, the ridiculously-long-awaited sequel to ‘Single Syllable Steve’, as linked below. I may need to request some organised harassment to get that done.
The time I find it most difficult to be calm is when other people have different views about how calm I should be. For example, when my son (8) throws a wobbly in a shop.
If I don’t react, then I’m failing to show him that his behaviour is unacceptable. Cue much tutting among the baby boomer generation. If I do react and tell him off, then I’m drawing attention to his bad behaviour and validating this as a means of getting my attention. Cue much tutting among Gen X parents. Gah. Because this has been so frustrating over the last year, I recently made the decision to pick a policy for dealing with tantrums in public and stick to it, regardless of what tutting by-passers may think.
The other day in the co-op, I seemed to have walked into a swarm of people taking their afternoon tea break from a meeting of the Society of Unwanted Parenting Advice. It was after school, and all my son wanted to do was go home and collapse in a heap after a rather long day. Which was fine, as I told him, but we had to go via the shops first. Oooooo, he didn’t like this. He made his feelings clear up and down every aisle in the shop.
First, I gave him the count-down warning for not getting the sweets that I’d initially bribed him with.
“You’re just withholding his sweets?” screeched an unhelpful onlooker. “I’d ground him for weeks for playing up like that.”
I ignored, walked on. My son kept up the hostilities, so I made my “right! No sweets!” proclamation in the random snacks section of the fridge aisle, which was a mistake, because I came to a halt next to the pizzas and I wouldn’t let him those, either.
Cue hard-done-by explosion number two from little man. I tried to distract him by letting him choose which drinks he wanted.
“Wouldn’t give him a choice if I were you,” muttered a walking fount of wisdom in a tweed jacket. “It’s just pandering.”
As you can imagine, my blood pressure was quite high by the time we’d reached the till, but my son had at least reached the dark sulk stage (silent but deadly). I was packing up the goods and asked him to hold the bag open for me. He flatly refused.
“Right! No iPad, no x-box, no footie!” I announced, to which he reacted with a flood of tears. Unmoved, I went on, “I’ve given you many, many chances to tone down your behaviour and you just keep digging deeper. Stop being so flaming stubborn, hold the flipping bag open for me, and start re-earning your treats!”
Well, you can imagine the flurry of opinions this invoked from the opinion-havers behind me in the queue. Some offered the view that there should be no earning back of treats, others shouted loudly about my raised voice, and the builder right behind me offered, “calm down, luv! It’s just a bag!”
Incensed by my son’s grateful nod in the builder’s direction, and feeling rather overwhelmed by my audience, I stamped my foot. I’m still rather embarrassed about that, but they did stop. How were they expecting me to deal with my son while busy listening to all their unwanted advice, anyway? Weirdos. It doesn’t help that I’m trying to lipread them all.
Quite close to tears, and feeling rather ganged-up-on, I turned to the builder and half-yelled, “nobody in the history of calming down has ever calmed down as a result of being told to calm down!”
He blinked. “Eh?”
“I said…” I repeated it, loudly, in the face of a very perplexed man. I sort of trailed off, to be honest. It’s hard to shout clearly, and by the time I’d reached the end for a second time, my pulse had dropped a bit anyway.
My son was a little more humble when we left the shop. I don’t think he meant to draw quite such a large an audience. He didn’t speak, but he did help me put the bag into the car. I smiled at him; I know an olive branch when I see one. No doubt the people in the shop would’ve had a few things to say about the non-wisdom of smiling at him.
So, what’s the moral of the story?
Pick your battles and stick to them.
When people are flinging lots of aggressive ‘advice’ at you, keep your own counsel and ignore them as far as possible.
Learn that phrase off by heart and trot it out next time someone tells you to calm down. By the time you’ve finished saying or typing it, you’ll have probably had time to work out what to say/do next, anyway.
a volcano (risky and uncomfortable)
a motorway (deadly and you’ll be unpopular)
a cactus farm (very uncomfortable)
a wind tunnel (Unlikely to allow meaningful conversation)
Harrods (full of expensive kid-dropped-it-you-bought-it items)
By all means, suggest more. I’d love to hear your comments.
I have another for the list. Swimming pools. I can’t STAND swimming parties or playdates because I can’t hear a bloody thing. Yes, up to a point I can lip-read, but I can’t lipread other people’s children. Their lips are small and fast, and they tend to enliven the conversation with multiple feats of recreational self-drowning (doing handstands).
Other mums aren’t much easier. They submerge hippo-like to stay as warm as possible, or they want a chat while they do breast stroke at Olympic speeds.
I’m not good at the pool in any case, really. When I was about twenty, I was subjected to a flirting campaign at the local pool by a guy who had the kind of body that would look good on Calvin Klein underwear packaging. It was enormously distracting. I cannot talk good sense when, right in front of me, I have a bare, tanned chest covered in water droplets slowly easing their way from collar bone to belly button.
Anyway, back to the point. This paragon of barely-dressed sexiness had a beard. And I mean a BEARD. It was in lovely condition. I know this because it took him a while to blowdry it**. For the sake of a mental image, picture a pirate with Brandon Routh’s body and a thing for putting Pantene on his face as well as his hair.
I couldn’t lipread him 😦 So not only did I blither, talk crap, and gibber, I couldn’t understand anything he was saying either. I could only beam inanely as he shot me dashing smile after dashing smile and said mysterious things. Sadly I never got to speak to him with my hearing aids in. Poo.
Where was I? Swimming pool playdates! Yes, sorry. Curse of the wet man’s chest. Soooo distracting.
I have four tips for surviving SPPs:
Explain to your friends about vibration support. What’s that? you ask. Well, if you put your fingers to the side of someone’s voice box, you can make much more sense of their lip patterns because you can feel the vowels in the throat while watching the consonants on the lips. It’s not perfect, but it boosts your understanding by about 30%. But, like I say, warn them about it early so they don’t think you’re randomly lunging for their throat. It’s a bit of a conversation-stopper.
Go mid-morning, if you can. A smaller crowd means you can stay close to the group you’re with without being jostled so much.
Develop a ‘pool’ code with your little ones. My son and I tend to use sign-supported English with each other at the pool now. If nothing else, it sends out a big visual clue: “Mummy can’t hear”
Tell your child that splashing = roast sprouts for breakfast and dinner for a week. Chlorinated eyes do not lipread well.
In between updates on my writing and little articles about life’s daily challenges, I’ll be hosting wee interviews with some of my fellow authors.
Now, just to be upfront about this, a very large proportion of these authors write adult fiction. And by ‘adult’ I do indeed mean that this is the kind of fiction you read alone, with the bedroom door locked. While the interviews are PG-rated, it’s all 18+ once you’ve hit the ‘buy’ links at the bottom of this article.
If erotica’s not your thing, then don’t click the links.
With that said, I’d like to welcome the first ever guest to my Author Spotlight….
Ian D Smith
You’ve just released the third in your series of ‘Merely Players’ novellas, which follow the adventures of jousting stunt rider-cum-actor Paul as he develops a three-way relationship with actress Hayley and her best friend, Becky. Feel free to give us the gist of ‘From the Top’ in your own words:
My three characters have been in their three-way relationship for a few months, which started when the women stopped unintentionally confusing nice-guy Paul and told him that was what they wanted. While things are going well, Paul is aware that he needs to give the longer-term some serious thought. An unconventional relationship is almost guaranteed to be gossiped about. Given that Hayley’s the star of a popular children’s show and that her parents are well-known actors, they want to private lives private, and avoid intrusive media attention.
The story occurs while they’re working on the first fully studio-based production Paul has worked on, which means they’re surrounded by people who love to gossip and might well share things with the media. As an acting novice, Paul feels very out of place. The production is a pretty silly family show in which two adventurers find a long-hidden ancient Egyptian tomb and temple. The tomb inevitably houses a restless and grump mummy, and the high priestess of the temple is a sultry temptress, who has some henchmen to help with security and the odd human sacrifice. While Paul enjoys working with a professional stunt team, the two professional actors introduce personality clashes, and Paul and Becky both get unwanted attention. And Paul keeps on having rather distressing and very realistic dreams about being involved in accidents, but each dream reveals enough for him to avoid the incident in real life the following day. But it feels to him as if he lives each of these days twice…
When writing the first in the series, had you envisioned how the second and third novellas would follow on (plotting well ahead, JK Rowling style) or have you seen each book as its own adventure, purely consistent with the previous?
I haven’t plotted ahead in any great detail, whether for the series or even for any of the stories. My main hope is that each can be enjoyed as a stand-alone story, even if it does refer to people and events in earlier ones. But I want to have a consistent thread running through the whole series, the development of the three-way relationship between my characters.
I set out to write novellas, thinking it might be easier to find a publisher for these. Although the first two books could easily be merged into a single short novel, they were written separately. My ideas for the second developed as I wrote the first and they just seemed to flow naturally. I only had vague ideas about the third until I was well into the second. The planned fourth and fifth books will actually be extensive revisions and extensions of short stories I wrote a couple of years ago. I’ve got some solid ideas for the sixth and final one, but I’m not going to do anything more than think about it for now.
Which do you find more challenging: the three-way love scenes, or the fast-moving action scenes?
I think it depends on the scenes themselves. I think the challenge with the love scenes is to keep them varied and entertaining for readers, and figure out the “choreography” in my mind before I write them. There’s also the problem of having two female characters. I don’t want to use their names over and over again, but I don’t want to leave the reader unsure who any given “she” is either.
The action scenes are fun to write, with the challenge of thinking them through until I feel as if I’m watching a video clip, then writing them down.
The scenes I find most challenging are the more subtle emotional ones, because I want these to come across as plausible and believable, consistent with that character and the situation.
Your hero Paul combines a good heart, a good brain (he lectures at university when not being drawn into a new filming project), and great athleticism (an expert horseman and stunt jouster). I’m going to be nosy… are you an expert in metallurgy and all things equine, or are you just doing a very good impression of someone who is? You can take that as a compliment to your effortless attention to detail…
Thank you! I’m delighted to have created him. I’ve been a horse-rider for over 20 years, have watched several jousting displays and even spent a day learning the basics. I’ve also done quite a few martial arts, and I practice archery as a sport. So, yes, I can probably include enough details to make a scene sound plausible even to those “in the know”. But other stuff, well, there’s google and my imagination…
Tell us about the genre you write in. Why does this particularly appeal and how did you get into it?
I first thought about writing a few years ago, when I read some entertaining “chick lit”. I enjoyed the idea of a story told against a developing relationship, but I thought the love scenes could easily be a bit more, um, detailed.
So that’s what I tried to write. My first efforts were pretty dire, of course, but with constructive feedback and my own bloody-mindedness, I started getting the idea.
Then I decided I liked the idea of the relationship developing as part of an adventure or mystery story. I don’t want to write a story which is primarily about the sex, but one in which the characters have sex as part of the natural flow of the story. Sex is an integral part of most adult romantic relationships, and as an often intimate and intense experience, it can be a useful trigger for all sorts of incidents, crises and revelations.
Your work has been praised often (and quite rightfully so) in reviews because you keep things very real—even when introducing supernatural elements as you have done in both The King’s Captain and From the Top. Have you ever been tempted to write something completely outlandish and fantastical?
Not so far. I like the idea of introducing “fantastic” things into our world, thinking about how they might appear and how my characters would react to them. And so far, I hope I’ve left things just vague enough to leave readers making up their own minds.
I have written a novel (currently with my publisher) which pushes the boundaries a bit more, but it’s still very much about our real, everyday world. And I wanted to rethink the supernatural a little, just for fun.
Primarily because my writing time is limited to short spells, I think I’d struggle to invent an alternative reality I was happy with. I’d want it to be self-consistent and have plausible physical laws and restrictions on anything like magic. But it would be an interesting idea to bear in mind for the future.
Do you have any suggestions/tips for aspiring writers and authors you’d like to share?
Decide what you want to write, and make sure you’re familiar with the conventions of that genre. You don’t need to follow them slavishly, but readers and publishers will expect you to include a fair number of them.
Writing even half-decent stuff takes a lot practice and you need to be willing to put in the time.
Find a critiquing group, or a group of fellow-writers you respect. Share your work and read their comments. Criticism of your writing helps you develop as a writer. It isn’t criticism of you, but developing a thick skin might be handy.
If you submit your work to a publisher or a call for submissions to an anthology, very carefully read what they say they want – style, genre, word-count, formatting etc etc. Not sending them that is an open invitation for them to say “no thank you”.
Anticipate that writing will be a rewarding, creative hobby, rather than a significant source of income.
Thank you, Ian! Now, lets have the blurb… (From The Top: Merely Players book 3)
Paul, working with his lovers Becky and Hayley, feels deep-ended. He’s acting in his first studio production—a slightly mad family-friendly TV show where amateur Egyptologists find a hidden tomb and temple, with a very realistic mummy on set.
They want to keep their developing three-way relationship private, while surrounded by people who love to gossip and just might let things slip to the media. Time is tight, working with a professional stunt team and egotistical actors is stressful, and Paul and Becky get some unwanted attention.
Adding to his anxiety is the important question of where their relationship can go.
Then there are his terrifying, painfully realistic, and very life-like dreams about nasty accidents. On TV, he can have another take. Real life only gives him one go. But it’s almost as if he’s getting a chance to change how things work out.
Lonely widower Paul knows he’s ready to move on and start a new relationship, but doesn’t expect to meet two attractive and interesting women at the same time. They want to recruit his jousting display team to feature in a TV show.
Becky and Hayley are best friends, as different as chalk and cheese, and both clearly fancy Paul. A decent guy at heart, he hopes to win one without harming their friendship. But the women don’t make it any easier when they turn up the heat and leave him wondering what’s going on.
A fantastic prize is within his reach. He just has to overcome his deepest fears, self-doubts, and fragile self-confidence. And be Hayley’s leading man in the TV show she hopes will make her name. So no pressure. Just take a deep breath and let these two intriguing women lead him way outside his comfort zone.
Paul is Hayley’s lover and now her leading man. But acting and portraying a hero on a period TV show takes far more than a suit of armour. He’s totally out of his depth, personally and professionally.
Help arrives with dramatic lessons in leadership and courage, when strange events put him and his friends in harm’s way.
Hayley’s happy when her best friend Becky books hotel rooms with a bed big enough for three, which confuses Paul. Sorting out their relationships is even scarier than acting, jousting, and stunt fighting in front of the camera.
Life doesn’t imitate art. Life shoulders art out of the way. Discovering a secret threatens Paul’s trust in Hayley and Becky, and forces him to face his doubts and fears. He must decide if it’s braver to walk away, or ask for honest answers. Even if they may break his heart.
I currently live and work in the south-western corner of the UK, but I’ve spent time in quite a few parts of the country over my life. My education and professional life have been very focussed on science, so quite where my interest in writing fiction came from is a mystery. But I have this quaint day-dream that it might become more than a hobby. Well, one day.
I like to write stories which are at least plausible, especially in the little details. So research has involved me doing a few odd-sounding things. The fact they were fun was totally incidental. I’ve learned the basics of the traditional British rural skills of dry-stone walling and hedge-laying, and spent a day getting an introduction to bushcraft. I’ve driven a tank, spent the night in a snow-cave in the Cairngorms, flown in a hot air balloon, gliders and light aircraft, and been for a walk with some nominally tame wolves.
You can find out more about Ian and his writing through the following social media: